"Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": II. Andante" by Joseph Haydn, Royal Concertgebouw Orchestra, Nikolaus Harnoncourt was released on 1987. Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": II. Andante is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Franz Joseph Haydn, Nikolaus Harnoncourt, Concertgebouworkest's "Haydn : Symphonies 68 & 93 - 104" album is number 18 out of 52. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": II. Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: Symphony No. 96 in D Major, Hob. I:96 "Miracle": II. Andante by Joseph Haydn, Royal Concertgebouw Orchestra, Nikolaus Harnoncourt to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D, H.I No.6 - "Le Matin": 1. Adagio - Allegro | Franz Joseph Haydn, Erwin Ramor, Zoltan Thirring, Philharmonia Hungarica, Antal Doráti | D Major | 3 | 10B | 134 BPM | ||
Prelude In F Major, BWV 928 : Prelude In F Major, BWV 928 | Janos Sebestyen, Johann Sebastian Bach | F Major | 2 | 7B | 140 BPM | ||
Kinderszenen, Op.15: 5. Glückes genug | Robert Schumann, Martha Argerich | G Major | 1 | 9B | 88 BPM | ||
Symphonie concertante in D Major, "Mirza": I. Allegro | Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln | D Major | 1 | 10B | 161 BPM | ||
String Quintet in D Minor: III. Adagietto | Ján Levoslav Bella, Frantisek Magyar, Moyzesovo kvarteto | F Minor | 1 | 4A | 127 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Viola Concerto in E-Flat Major: II. Adagio ma non troppo | Carl Friedrich Zelter, Hariolf Schlichtig, Munich Chamber Orchestra | C Minor | 0 | 5A | 58 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | C Major | 3 | 8B | 78 BPM | ||
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM |
Section: 0.7825593948364258
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