"Рубаи Хаяма: Фрагменты из балета: II. Вариация Ситоры" by Valery Gergiev, Лондонский cимфонический оркестр was released on December 30, 2012. With Рубаи Хаяма: Фрагменты из балета: II. Вариация Ситоры being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in Толибхон ШАХИДИ: Валерий ГЕРГИЕВ, so we believe that "Рубаи Хаяма: Фрагменты из балета: II. Вариация Ситоры" is a single. Рубаи Хаяма: Фрагменты из балета: II. Вариация Ситоры is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Рубаи Хаяма: Фрагменты из балета: II. Вариация Ситоры by Valery Gergiev, Лондонский cимфонический оркестр is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" | Franz Liszt, Goran Filipec | A♭ Minor | 2 | 1A | 115 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Carmen Suite No. 1: 4. Les dragons d'Alcala | Georges Bizet, Orchestre de Paris, Semyon Bychkov | G Major | 0 | 9B | 117 BPM | ||
Vocalise, Op. 34 | London Philharmonic Orchestra, Pieter Schoeman | E Minor | 2 | 9A | 92 BPM | ||
The Tsar's Bride - original version Tsarskaya Nevesta by Lev Mey: Overture | Nikolai Rimsky-Korsakov, Mariinsky Orchestra, Valery Gergiev | C Minor | 2 | 5A | 91 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM |
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