Franz Liszt, Goran Filipec's '6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella"' came out on March 4, 2016. With this song being about 5 minutes long, at 4:30, "6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella"" by Franz Liszt, Goran Filipec is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Goran Filipec's "Liszt Complete Piano Music, Vol. 42: Paganini Studies" album is number 3 out of 16. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Grandes études de Paganini, S. 141: No. 3 in A-Flat Minor "La campanella" by Franz Liszt, Goran Filipec to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) | Claude Debussy, Martha Argerich, Stephen Kovacevich | D Minor | 0 | 7A | 107 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 93 BPM | ||
Gaspard de la nuit, M. 55: I. Ondine | Maurice Ravel, Martha Argerich | D♭ Major | 0 | 3B | 72 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
4 Impromptus, Op.90, D.899: No.2 in E Flat Major: Allegro | Franz Schubert, Radu Lupu | F♯ Major | 1 | 2B | 65 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM |
Section: 0.9338042736053467
End: 0.9375729560852051