Felix Mendelssohn, John Russo, Péter Nagy's 'Lieder ohne Worte (Songs without Words), Book 8, Op. 102: No. 44 in D Major, Op. 102, No. 2' came out on March 24, 1991. With Lieder ohne Worte (Songs without Words), Book 8, Op. 102: No. 44 in D Major, Op. 102, No. 2 being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Péter Nagy's "Mendelssohn: Songs Without Words, Vol. 2" album is number 7 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Lieder ohne Worte (Songs without Words), Book 8, Op. 102: No. 44 in D Major, Op. 102, No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lieder ohne Worte (Songs without Words), Book 8, Op. 102: No. 44 in D Major, Op. 102, No. 2 by Felix Mendelssohn, John Russo, Péter Nagy to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violoncello and Piano No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 106 BPM | ||
24 Preludes, Op. 11: No. 12 in G-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | E Minor | 2 | 9A | 151 BPM | ||
Aria variata (alla maniera italiana) in A Minor, BWV 989: Variation V. Un poco allegro | Johann Sebastian Bach, Víkingur Ólafsson | E Major | 3 | 12B | 105 BPM | ||
Satie: 3 Morceaux en forme de poire for Piano 4 Hands: II. Prolongation du même | Erik Satie, Anne Queffélec | B♭ Major | 4 | 6B | 97 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Mazurka No.19 In B Minor, Op.30 No.2 | Frédéric Chopin, Vladimir Ashkenazy | F♯ Minor | 1 | 11A | 109 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, New Philharmonia Orchestra | B♭ Major | 0 | 6B | 100 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Septet in E-Flat Major, Op. 20: II. Adagio cantabile | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | A♭ Major | 0 | 4B | 127 BPM | ||
Lieder ohne Worte, Op.102: No. 6. Andante In C, MWV U 172 - "Belief" | Felix Mendelssohn, Daniel Barenboim | C Major | 0 | 8B | 109 BPM |
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