"Lieder ohne Worte, Op.102: No. 6. Andante In C, MWV U 172 - "Belief"" by Felix Mendelssohn, Daniel Barenboim was released on January 1, 1974. The duration of Lieder ohne Worte, Op.102: No. 6. Andante In C, MWV U 172 - "Belief" is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Lieder ohne Worte, Op.102: No. 6. Andante In C, MWV U 172 - "Belief"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Daniel Barenboim's "Mendelssohn: Songs without Words" album is number 24 out of 58. In terms of popularity, Lieder ohne Worte, Op.102: No. 6. Andante In C, MWV U 172 - "Belief" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lieder ohne Worte, Op.102: No. 6. Andante In C, MWV U 172 - "Belief" by Felix Mendelssohn, Daniel Barenboim to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 21 in B flat, D.960: IV. Allegro ma non troppo | Franz Schubert, Daniel Barenboim | C Minor | 0 | 5A | 108 BPM | ||
Pictures at an Exhibition (Orch. Ravel): III. Tuileries Gardens | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Minor | 0 | 2A | 97 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 88 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 36: III. Allegro molto | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Major | 1 | 6B | 76 BPM | ||
13 Préludes, Op. 32: No. 12. Allegro in G-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | D♭ Minor | 0 | 12A | 66 BPM | ||
Character Pieces, MA Ms. 44 (selections): II. Andante, in G Major | Fanny Mendelssohn, Beatrice Rauchs | G Major | 0 | 9B | 76 BPM | ||
Sonatina in G Major, Op. 36 No. 2: II. Allegretto | Muzio Clementi, Howard Shelley | E Minor | 1 | 9A | 104 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 4 Bjorken (The Birch) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 64 BPM | ||
Dvořák: Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | G Major | 1 | 9B | 106 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM |
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