On April 5, 1993, the song "Satie: 3 Morceaux en forme de poire for Piano 4 Hands: II. Prolongation du même" was released by Erik Satie, Anne Queffélec. With Satie: 3 Morceaux en forme de poire for Piano 4 Hands: II. Prolongation du même being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Satie - Piano Works". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Satie: 3 Morceaux en forme de poire for Piano 4 Hands: II. Prolongation du même is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Satie: 3 Morceaux en forme de poire for Piano 4 Hands: II. Prolongation du même by Erik Satie, Anne Queffélec having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: V. Ballet des poussins dans leurs coques | Modest Mussorgsky, Khatia Buniatishvili | D♭ Major | 1 | 3B | 111 BPM | ||
Études-tableaux, Op. 39: No. 1 in C Minor | Sergei Rachmaninoff, Evgeny Kissin | D Major | 1 | 10B | 66 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 33: III. Coda. Allegro molto | Nikolai Medtner, Neeme Järvi, London Philharmonic Orchestra, Geoffrey Tozer | G Major | 1 | 9B | 90 BPM | ||
Etude Op. 10 no. 10 in A Flat Major | Valentina Lisitsa | A♭ Major | 2 | 4B | 135 BPM | ||
Dolly, Op. 56: 4. Kitty-Valse | Gabriel Fauré, Alfons Kontarsky, Aloys Kontarsky | D♭ Major | 1 | 3B | 73 BPM | ||
Caresse | Erik Satie, Klara Kormendi | C Major | 0 | 8B | 206 BPM | ||
Dolly, Op. 56: 3. Le Jardin de Dolly | Gabriel Fauré, Alfons Kontarsky, Aloys Kontarsky | D♭ Major | 1 | 3B | 73 BPM | ||
Piano Sonata in B Minor, S. 178: Grandioso | Franz Liszt, Martha Argerich | A♭ Major | 0 | 4B | 65 BPM | ||
12 German Dances, D790: No.3 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Children's Album, Op. 39, TH 141: 9. Waltz | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E♭ Major | 0 | 5B | 110 BPM |
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