"Tristan und Isolde, WWV 90, Act III Scene 1: Noch losch das Licht nicht aus" by Richard Wagner, Peter Seiffert, Jochen Schmeckenbecher, Vienna State Opera Orchestra, Franz Welser-Möst was released on May 6, 2022. With this song being about 5 minutes long, at 5:19, "Tristan und Isolde, WWV 90, Act III Scene 1: Noch losch das Licht nicht aus" by Richard Wagner, Peter Seiffert, Jochen Schmeckenbecher, Vienna State Opera Orchestra, Franz Welser-Möst is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Tristan und Isolde, WWV 90 by Richard Wagner, Peter Seiffert, Nina Stemme, Stephen Milling, Jochen Schmeckenbecher, Vienna State Opera Orchestra, Franz Welser-Möst. The song's track number on the album is #5 out of 29 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Tristan und Isolde, WWV 90, Act III Scene 1: Noch losch das Licht nicht aus is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Since Tristan und Isolde, WWV 90, Act III Scene 1: Noch losch das Licht nicht aus by Richard Wagner, Peter Seiffert, Jochen Schmeckenbecher, Vienna State Opera Orchestra, Franz Welser-Möst has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tristan und Isolde, WWV 90, Act III Scene 1: Noch losch das Licht nicht aus being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Auf! Auf! Ihr Frauen!" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Eberhard Waechter, Bayreuth Festival Orchestra, Karl Böhm | C Major | 2 | 8B | 105 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Fasolt und Fafner nahen von fern" | Richard Wagner, Set Svanholm, Eberhard Wächter, Waldemar Kmentt, Kirsten Flagstad, Walter Kreppel, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 101 BPM | ||
Wagner: Lohengrin, Act 3: "Treulich geführt ziehet dahin" (Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | C Minor | 2 | 5A | 119 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Turandot / Act 3: "Diecimile anni al nostro Imperatore...Padre augusto" | Giacomo Puccini, Dame Joan Sutherland, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 120 BPM |
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