"Pierre et le loup, Op. 67: theme de Pierre" by Sergei Prokofiev, Academy Of London, Andrew Skirrow, Angela Malsbury, David Thomas, Dominic Hackett, Gavin McNaughton, Julien Clerc, Kevin Abbott, Paul Davies, Peter Manning, Richard Stamp, Stephen Stirling was released on October 1, 2016. With Pierre et le loup, Op. 67: theme de Pierre being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 40 out of 50 in Dinner Music: Classical by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Pierre et le loup, Op. 67: theme de Pierre is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pierre et le loup, Op. 67: theme de Pierre by Sergei Prokofiev, Academy Of London, Andrew Skirrow, Angela Malsbury, David Thomas, Dominic Hackett, Gavin McNaughton, Julien Clerc, Kevin Abbott, Paul Davies, Peter Manning, Richard Stamp, Stephen Stirling is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier: Book 1, BWV 846-869: Prelude in C Major, BWV 846 | Johann Sebastian Bach, Michaël Lévinas | D Minor | 0 | 7A | 140 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Le concerto de l'adieu (Du spectacle "Les orgues de feu") | Georges Delerue, Prague Symphonic Ensemble | F Minor | 3 | 4A | 101 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Duo des fleurs | Léo Delibes | B Major | 1 | 1B | 74 BPM | ||
Desplat: The Grand Budapest Hotel | Alexandre Desplat, Emmanuel Pahud, Florentino Calvo, Orchestre National De France | F Major | 2 | 7B | 76 BPM | ||
Valse en do dièse mineur | Frédéric Chopin, Bratislava Chamber Ensemble, Bratislava Radio Symphony Orchestra, Slovak Philharmonic | D♭ Minor | 1 | 12A | 76 BPM |
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