"Germanico in Germania / Act 1: "Al sole i lumi pria mancheranno"" by Nicola Porpora, Julia Lezhneva, Capella Cracoviensis, Jan Tomasz Adamus was released on November 3, 2017. With this song being about 5 minutes long, at 4:52, "Germanico in Germania / Act 1: "Al sole i lumi pria mancheranno"" by Nicola Porpora, Julia Lezhneva, Capella Cracoviensis, Jan Tomasz Adamus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 69 in the song's album "Porpora: Germanico in Germania". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Germanico in Germania / Act 1: "Al sole i lumi pria mancheranno"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Germanico in Germania / Act 1: "Al sole i lumi pria mancheranno" by Nicola Porpora, Julia Lezhneva, Capella Cracoviensis, Jan Tomasz Adamus having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 0 | 3A | 82 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Il Gedeone (Gideon): Part I: Aria: Quell'aura lusinghiera (Silve) | Nicola Porpora, Kai Wessel, Ulf Bästlein, Linda Perillo, Henning Voss, Jorg Waschinski, Johannes Chum, Vienna Nova Vocal Ensemble, Vienna Academy Orchestra, Martin Haselböck | E♭ Minor | 1 | 2A | 120 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Noel Symphony No. 4 in D Minor: I. Une jeune pucelle: Moderato | Michel Corrette, Arion Trio | D♭ Minor | 1 | 12A | 106 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Lauda Jerusalem (Salmo 147), RV 609 | Antonio Vivaldi, Concerto Italiano, Roberta Invernizzi, Gemma Bertagnolli, Rinaldo Alessandrini | E Minor | 2 | 9A | 138 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Polifemo: Atto secondo scena I Recitativo - Calipso, Nerea | Nicola Porpora, Sonja Runje, Narea Son, George Petrou, Armonia Atenea | D♭ Major | 2 | 3B | 70 BPM |
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