Franz Joseph Haydn, Orpheus Chamber Orchestra made "Symphony No. 22 in E-Flat Major, Hob.I:22 -"The Philosopher": IV. Finale (Presto)" available on May 1, 2021. The duration of Symphony No. 22 in E-Flat Major, Hob.I:22 -"The Philosopher": IV. Finale (Presto) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Symphony No. 22 in E-Flat Major, Hob.I:22 -"The Philosopher": IV. Finale (Presto)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 141 in the song's album "Simply Haydn". In this album, this song's track order is #10. Symphony No. 22 in E-Flat Major, Hob.I:22 -"The Philosopher": IV. Finale (Presto) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony No. 22 in E-Flat Major, Hob.I:22 -"The Philosopher": IV. Finale (Presto) by Franz Joseph Haydn, Orpheus Chamber Orchestra having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie concertante in D Major, "Mirza": I. Allegro | Francois-Joseph Gossec, Martin Sandhoff, Andrea Keller, Concerto Köln | D Major | 1 | 10B | 161 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 2. Adagio | Franz Joseph Haydn, Alfred Brendel | G Major | 1 | 9B | 100 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
String Quartet No. 1 in G Major, K. 80: III. Menuetto | Eder Quartet | G Major | 0 | 9B | 124 BPM | ||
Violin Concerto In E Minor, Op.64, MWV O14: 3. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Anne-Sophie Mutter, Gewandhausorchester Leipzig, Kurt Masur | E Major | 2 | 12B | 81 BPM | ||
Die Schöpfung, Hob. XXI:2 / Erster Teil: 1B. Rezitativ mit Chor: "Im Anfange schuf Gott Himmel und Erde" | Franz Joseph Haydn, Walter Berry, Fritz Wunderlich, Josef Nebois, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | C Minor | 0 | 5A | 83 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM |
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