Giuseppe Verdi, I Musici, Francesco Buccarella's 'I vespri siciliani / The Four Seasons: III. Summer (Transcr. Luigi Pecchia for Strings and Piano)' came out on March 4, 2022. Since I vespri siciliani / The Four Seasons: III. Summer (Transcr. Luigi Pecchia for Strings and Piano) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "The Four Seasons". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, I vespri siciliani / The Four Seasons: III. Summer (Transcr. Luigi Pecchia for Strings and Piano)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With I vespri siciliani / The Four Seasons: III. Summer (Transcr. Luigi Pecchia for Strings and Piano) by Giuseppe Verdi, I Musici, Francesco Buccarella having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes, Op. 28: No. 6 in B Minor, B. 107 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Mazurkas, Op. 68: No. 3 in F Major, B. 34 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | A♭ Major | 1 | 4B | 105 BPM | ||
Вступление | АРХЕОХАОС | A Minor | 3 | 8A | 86 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Serenade in C Major, Op. 10: III. Scherzo: Vivace | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | E Major | 0 | 12B | 97 BPM | ||
Zigeunerweisen, Op. 20 (arr. for cello and piano) | Pablo de Sarasate, Emilio Colón, Sung Hoon Mo | F♯ Major | 2 | 2B | 99 BPM | ||
Quartet No. 1: II. Lento | Jacques Georges Charles Duvernoy, Italian Classical Consort, Luigi Magistrelli | B♭ Major | 0 | 6B | 99 BPM | ||
Abbey Road concerto for Violin and Orchestra: II. Come together | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Sonata in B Minor for Violin and Continuo, Book I, No. 12: I. Largo | Charles-Antoine Branche, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM | ||
Violin Concerto No. 1 in D Major, Op. 7: II. Adagio | Friedrich Seitz, Hyejin Chung, Warren Lee | A Major | 1 | 11B | 71 BPM |
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