Hanspeter Gmür, Camerata Rhenania's 'Concerto for 2 lire organizzate in G Major, Hob VIIh:2: I. Vivace assai' came out on January 1, 2009. Concerto for 2 lire organizzate in G Major, Hob VIIh:2: I. Vivace assai is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The track order of this song in Various Artists's "Haydn: Concertos for Violin Nos. 1 - 6 & Concertos for Lyre Nos. 1 - 5" album is number 10 out of 21. Based on our statistics, Concerto for 2 lire organizzate in G Major, Hob VIIh:2: I. Vivace assai's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for 2 lire organizzate in G Major, Hob VIIh:2: I. Vivace assai by Hanspeter Gmür, Camerata Rhenania to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Prélude to the Afternoon of a Faun | Claude Debussy, Hanspeter Gmür, Nurnberger Symphoniker | C Major | 9 | 8B | 85 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": II. Andante con moto | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
The Carnival of Animals: XI. The Pianists | Camille Saint-Saëns, Hanspeter Gmür, Southgerman Philharmonic Orchestra | C Major | 4 | 8B | 99 BPM | ||
Rigoletto - Questa e quella | Giuseppe Verdi, Hanspeter Gmür, Nurnberger Symphoniker, Jose Maria Perez | A♭ Major | 3 | 4B | 118 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Tales of Hoffmann: O Dieu de qu'elle ivresse | Jacques Offenbach, Hanspeter Gmür, Nurnberger Symphoniker, Jose Perez | B♭ Major | 3 | 6B | 92 BPM |
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