Heinrich Schütz, Magnificat, Philip Cave's 'Sicut Moses serpentem in deserto exaltavit, SWV 68' came out on May 10, 2019. The duration of Sicut Moses serpentem in deserto exaltavit, SWV 68 is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Sicut Moses serpentem in deserto exaltavit, SWV 68's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Schütz: Cantiones sacrae". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sicut Moses serpentem in deserto exaltavit, SWV 68 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sicut Moses serpentem in deserto exaltavit, SWV 68 by Heinrich Schütz, Magnificat, Philip Cave having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Quadragesimalis, MH 552: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 40 BPM | ||
Illumina faciem tuam | Carlo Gesualdo, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 136 BPM | ||
Jesu, meines Lebens Leben in D Minor, BuxWV 62: I. Sinfonia | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 126 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Major | 2 | 4B | 61 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM | ||
All'imperio d'Amore: 6. La dipartita e amara a 4 | Luca Marenzio, Ensemble Pygmalion, Safir Behloul, Renaud Brès, Raphael Pichon, Zachary Wilder, Davy Cornillot, Lucile Richardot, Maïlys De Villoutreys | G Minor | 2 | 6A | 109 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Quel Augellin Che Canta | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A♭ Minor | 1 | 1A | 77 BPM | ||
Glosada LXVI | The Royal Wind Music, Capella Sancta María, Alfred Fernández | D♭ Major | 0 | 3B | 90 BPM |
Section: 0.6215598583221436
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