"All'imperio d'Amore: 6. La dipartita e amara a 4" by Luca Marenzio, Ensemble Pygmalion, Safir Behloul, Renaud Brès, Raphael Pichon, Zachary Wilder, Davy Cornillot, Lucile Richardot, Maïlys De Villoutreys was released on May 19, 2017. The duration of All'imperio d'Amore: 6. La dipartita e amara a 4 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. All'imperio d'Amore: 6. La dipartita e amara a 4's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #6. In terms of popularity, All'imperio d'Amore: 6. La dipartita e amara a 4 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All'imperio d'Amore: 6. La dipartita e amara a 4 by Luca Marenzio, Ensemble Pygmalion, Safir Behloul, Renaud Brès, Raphael Pichon, Zachary Wilder, Davy Cornillot, Lucile Richardot, Maïlys De Villoutreys having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Lagrime d'Orfeo: 29. Udite lagrimosi spirti d’Averno | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Minor | 1 | 5A | 66 BPM | ||
L'oca del Cairo, K. 422, Act I, scene 15: Corpo di Satanasso! | Wolfgang Amadeus Mozart, Nahuel di Pierro, Sabine Devieilhe, Siobhan Stagg, Serena Malfi, Linard Vrielink, John Chest, Ensemble Pygmalion, Raphael Pichon | F Major | 5 | 7B | 88 BPM | ||
Castor et Pollux, RCT 32, Acte V, Scène 3: Tonnerre, "Qu'ai-je entendu !" (Télaïre) | Jean-Philippe Rameau, Emmanuelle De Negri, Colin Ainsworth, Ensemble Pygmalion, Raphael Pichon | F Minor | 5 | 4A | 109 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Ich weiss, dass mein Erlöser lebet | Johann Michael Bach, Vox Luminis, Lionel Meunier | G Major | 0 | 9B | 123 BPM | ||
Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM | ||
Madonna qual certezza | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 2 | 11A | 129 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
Osculetur me: II. Trahe me post te | Pierre de Manchicourt, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM |
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