Michael Haydn, Salzburger Haydn-Quintett's 'String Quintet in F Major, P. 112, MH 411: II. Menuetto - Trio' came out on March 3, 2015. The duration of String Quintet in F Major, P. 112, MH 411: II. Menuetto - Trio is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. String Quintet in F Major, P. 112, MH 411: II. Menuetto - Trio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Haydn, Salzburger Haydn-Quintett's "Michael Haydn: Complete String Quintets" album is number 6 out of 25. String Quintet in F Major, P. 112, MH 411: II. Menuetto - Trio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quintet in F Major, P. 112, MH 411: II. Menuetto - Trio by Michael Haydn, Salzburger Haydn-Quintett to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande: Largo | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | B♭ Major | 0 | 6B | 85 BPM | ||
Concerto Saint Marc: I. Grave | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | B♭ Major | 1 | 6B | 68 BPM | ||
Missa in honorem Sanctae Ursulae, MH 546 "Chiemsee-Messe": IIIa. Credo. Credo in unum Deum | Michael Haydn, Robert King, Carolyn Sampson, The King's Consort, Hilary Summers, James Gilchrist, Choir of The King's Consort, Peter Harvey | D Major | 2 | 10B | 136 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Magnificat, RV 610: 9. Gloria Patri | Antonio Vivaldi, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | G Minor | 2 | 6A | 103 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM |
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