"Adriana Lecouvreur / Act I: "Ecco: respiro appena ... Io son l'umile ancella"" by Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado was released on November 4, 2016. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Revive". In this album, this song's track order is #7. The popularity of Adriana Lecouvreur / Act I: "Ecco: respiro appena ... Io son l'umile ancella" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adriana Lecouvreur / Act I: "Ecco: respiro appena ... Io son l'umile ancella" by Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Un' Aura Amorosa | Luciano Pavarotti | E♭ Major | 1 | 5B | 117 BPM | ||
L'amico Fritz / Act 2: "Suzel, buon di" | Pietro Mascagni, Cecilia Bartoli, Luciano Pavarotti, London Voices, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 1 | 11B | 71 BPM | ||
Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
Core 'ngrato | Mario del Monaco | E♭ Major | 4 | 5B | 135 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Addio ai Viennesi - Live | Michael Spyres, Steven Blier, New York Festival Of Song | E Major | 2 | 12B | 69 BPM | ||
Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
Gounod : Faust : Act 1 "Ne permettrez-vous pas" [Faust, Méphistophélès, Marguerite, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 117 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM |
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