"Winterreise, D.911: 19. Täuschung" by Franz Schubert, Mischa Maisky, Daria Hovora was released on January 1, 1996. With Winterreise, D.911: 19. Täuschung being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Schubert: Songs without Words". In this album, this song's track order is #6. Winterreise, D.911: 19. Täuschung is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Winterreise, D.911: 19. Täuschung by Franz Schubert, Mischa Maisky, Daria Hovora having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Kinderszenen, Op. 15: No. 2, Kuriose Geschichte | Robert Schumann, Vladimir Horowitz | D Major | 1 | 10B | 132 BPM | ||
Nachtwandler, Op. 86, No. 3 | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Sonata in E Major, Kk. 380 | Domenico Scarlatti, Daniel Barenboim | B♭ Major | 0 | 6B | 126 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: III. Largo sostenuto | Bedřich Smetana, Pavel Haas Quartet | A♭ Major | 0 | 4B | 169 BPM | ||
Godowsky / Arr Heifetz: Alt Wien | Leopold Godowsky, Itzhak Perlman | G Major | 2 | 9B | 100 BPM | ||
Notturno For Piano, Violin And Violoncello In E Flat Major, Op. 148, D 897 | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Maximilian Hornung | B♭ Major | 0 | 6B | 129 BPM |
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