Johann Sebastian Bach, Catrin Finch made "Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 26 a 2 Clav." available on October 12, 2021. With Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 26 a 2 Clav. being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 181 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. In terms of popularity, Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 26 a 2 Clav. is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations" - Arranged for Harp by Catrin Finch: Var. 26 a 2 Clav. by Johann Sebastian Bach, Catrin Finch is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 1 | 5A | 84 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Concerto for 2 Harpsichords in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Christiane Jaccottet, Christine Sartoretti, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | C Minor | 3 | 5A | 175 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged By Wilhelm Kempff: La Plainte d'Orphée (Ballet) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Harpsichord Concerto No. 5 in F Minor, BWV 1056: III. Presto - Transcr. for organ by Jörg Halubek | Johann Sebastian Bach, Jörg Halubek, Il Gusto Barocco | F♯ Minor | 2 | 11A | 102 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM |
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