- BPM
- 73
- Key
- C Minor
- Camelot
- 5A
La traviata, Act I: È strano (Live) - Giuseppe Verdi, Nadine Sierra, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta Information
- Acousticness
- 98%
- Danceability
- 27%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 33%
- Loudness
- 59%
- Speechiness
- 8%
- Valence
- 6%
- Popularity
- 9%
- Loudness
- -24.748 dB
Summary
"La traviata, Act I: È strano (Live)" by Giuseppe Verdi, Nadine Sierra, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta was released on October 21, 2022. With La traviata, Act I: È strano (Live) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: La traviata (Live) by Giuseppe Verdi, Nadine Sierra, Francesco Meli, Leo Nucci, Caterina Meldolesi, Zubin Mehta, Orchestra del Maggio Musicale Fiorentino. The song's track number on the album is #8 out of 35 tracks. Based on our data, Italy was the country where this track was produced or recorded. La traviata, Act I: È strano (Live) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La traviata, Act I: È strano (Live) BPM
Since La traviata, Act I: È strano (Live) by Giuseppe Verdi, Nadine Sierra, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La traviata, Act I: È strano (Live) being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
La traviata, Act I: È strano (Live) Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Manon Lescaut / Act 1: Donna non vidi mai | Giacomo Puccini, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 3 | 6B | 79 BPM | |
 | Rigoletto, Act IV: La donna e mobile (arr. for orchestra) | Anonymous , Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | |
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 | Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | |
 | Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | |
 | Puccini: La bohème, Act 1: "Sì. mi chiamano Mimì" (Mimì/Rodolfo) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D Major | 1 | 10B | 78 BPM | |
 | Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM |
- ISRC
- ITN322220665
- Label
- L-M Records/RCA Records
Section: 0.8596842288970947
End: 0.8644979000091553