"Im Kontor" by Lore Brunner, Merlin Ensemble Wien, Haruhi Tanka, Stefan Ennemoser, Allen Smith, Othmar Gaiswinkler, Denton Roberts, Martin Walch was released on September 23, 2006. The duration of Im Kontor is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Im Kontor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 22 in Die Geschichte vom Soldaten by Lore Brunner. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Im Kontor is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Im Kontor by Lore Brunner, Merlin Ensemble Wien, Haruhi Tanka, Stefan Ennemoser, Allen Smith, Othmar Gaiswinkler, Denton Roberts, Martin Walch is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for String Instruments, Percussion and Celesta: Adagio | Béla Bartók, SWF Symphony Orchestra, Zoltan Pesko | A♭ Major | 1 | 4B | 62 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): 2. Barbe-Bleu - La Fille du Tambour-Majeur | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 89 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Pierrot Lunaire, Op.21 (1912) / Part 3: 19. Serenade | Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez | D♭ Major | 0 | 3B | 107 BPM | ||
Carmen Suite No. 1: I. Prelude, Act 1 | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
The Three Consorts of Dracula | Philip Glass, Kronos Quartet | A♭ Major | 0 | 4B | 82 BPM | ||
Peter and the Wolf, Op. 67: IX. The Wolf Swallows the Duck | Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra | G Major | 1 | 9B | 132 BPM | ||
Das Lied von der Erde: Der Trunkene im Frühling | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | A Major | 2 | 11B | 97 BPM | ||
Der Königsmarsch | Lore Brunner, Allen Smith, Othmar Gaiswinkler, Martin Walch, Denton Roberts, Haruhi Tanka, Stefan Ennemoser, Merlin Ensemble Wien | F Major | 1 | 7B | 118 BPM | ||
Fantasia for Cello & Orchestra, W454: II. Molto vivace | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | G Minor | 1 | 6A | 105 BPM |
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