"Der Königsmarsch" by Lore Brunner, Allen Smith, Othmar Gaiswinkler, Martin Walch, Denton Roberts, Haruhi Tanka, Stefan Ennemoser, Merlin Ensemble Wien was released on September 23, 2006. Since Der Königsmarsch is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 22 in Die Geschichte vom Soldaten by Lore Brunner. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. In terms of popularity, Der Königsmarsch is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Der Königsmarsch by Lore Brunner, Allen Smith, Othmar Gaiswinkler, Martin Walch, Denton Roberts, Haruhi Tanka, Stefan Ennemoser, Merlin Ensemble Wien is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Rocky | Szeged Trombone Ensemble, György Gyivicsan | A Minor | 1 | 8A | 93 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 2 L'istesso tempo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | F Major | 1 | 7B | 97 BPM | ||
Don Quixote, Op. 35: Introduction | Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John Weicher | G Minor | 1 | 6A | 65 BPM | ||
Peter and the Wolf, Op. 67: IX. The Wolf Swallows the Duck | Sergei Prokofiev, Kent Nagano, Sophia Loren, Russian National Orchestra | G Major | 1 | 9B | 132 BPM | ||
The Drawing Room | Philip Glass, Kronos Quartet | D♭ Major | 0 | 3B | 112 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Lawrence Brownlee, Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Peter and the Wolf, Op. 67 (Remastered): Peter Catches the Wolf | Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra | A Minor | 3 | 8A | 125 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
1. Einleitung | Wolfgang Amadeus Mozart, Will Quadflieg, The Cambridge Buskers, Michael Copley, Dag Ingram, London Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 101 BPM |
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