Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra's 'Peter and the Wolf, Op. 67 (Remastered): Peter Catches the Wolf' came out on May 2, 1978. With Peter and the Wolf, Op. 67 (Remastered): Peter Catches the Wolf being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 41 in David Bowie narrates Prokofiev's Peter and the Wolf & The Young Person's Guide to the Orchestra by David Bowie, Eugene Ormandy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Peter and the Wolf, Op. 67 (Remastered): Peter Catches the Wolf's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Peter and the Wolf, Op. 67 (Remastered): Peter Catches the Wolf by Sergei Prokofiev, Eugene Ormandy, Philadelphia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Peter and the Wolf, Op. 67: No. 4 Grandfather | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Carnival of the Animals, R. 125: II. Hens & Cockerels | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 140 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Pas de la Guzla | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Minor | 0 | 8A | 128 BPM | ||
Prokofiev: Peter and the Wolf, Op. 67: No. 9 The Bird Diverts the Wolf | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Minor | 2 | 7A | 141 BPM | ||
Peter and the Wolf, Op. 67: VIII. The Wolf Stalks the Bird and Cat | Wiener Opernorchester | C Major | 1 | 8B | 76 BPM | ||
Piano Concerto No. 2, BB 101, Sz. 95: I. Allegro | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | C Major | 5 | 8B | 98 BPM | ||
Carnival of the Animals: VIII. People with Long Ears | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | E Major | 0 | 12B | 84 BPM | ||
Don Quixote, Op. 35: Dialogue of the Knight and Squire - Variation III | Richard Strauss, Fritz Reiner | D Major | 1 | 10B | 118 BPM | ||
The Elephant - Narration | Olivia Colman | A Major | 1 | 11B | 95 BPM | ||
Peter and the Wolf, Op. 67: The Bird Diverts the Wolf | David Bowie, Eugene Ormandy | C Major | 2 | 8B | 136 BPM |
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