Peter and the Wolf, Op. 67: The Story Begins
David Bowie, Eugene Ormandy
David Bowie Narrates Peter And The Wolf
0:57 1988
BPM
97
Key
G Major
Camelot
9B

Embed

Share Link

Peter and the Wolf, Op. 67: The Story Begins - David Bowie, Eugene Ormandy Information

Acousticness
66%
Danceability
33%
Energy
13%
Instrumentalness
83%
Liveness
25%
Loudness
71%
Speechiness
4%
Valence
22%
Popularity
Loudness
-17.153 dB

Summary

David Bowie, Eugene Ormandy's 'Peter and the Wolf, Op. 67: The Story Begins' came out on 1988. With Peter and the Wolf, Op. 67: The Story Begins being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 41 in David Bowie Narrates Peter And The Wolf by David Bowie. In terms of popularity, Peter and the Wolf, Op. 67: The Story Begins is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Peter and the Wolf, Op. 67: The Story Begins BPM

The tempo marking of Peter and the Wolf, Op. 67: The Story Begins by David Bowie, Eugene Ormandy is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Peter and the Wolf, Op. 67: The Story Begins Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tumble and Twirl - Extended Dance Mix by David BowieTumble and Twirl - Extended Dance MixDavid BowieE Minor99A140 BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçons by Alexander Borodin, Anima Eterna, Jos Van ImmerseelLes danses polovtsiennes (Extraits de l'opéra Le Prince Igor): IV. Danse des garçonsAlexander Borodin, Anima Eterna, Jos Van ImmerseelD Major210B104 BPM
Never Let Me Down - Dub / A capella Mix by David BowieNever Let Me Down - Dub / A capella MixDavid BowieB Minor810A114 BPM
Symphonie fantastique, Op. 14: II. Un bal by Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingSymphonie fantastique, Op. 14: II. Un balHector Berlioz, Swedish Radio Symphony Orchestra, Daniel HardingA Major111B107 BPM
Raymonda, Act I: Prelude et Variation by Alexander Glazunov, Kivov Orchestra, Viktor FedotovRaymonda, Act I: Prelude et VariationAlexander Glazunov, Kivov Orchestra, Viktor FedotovB Major01B104 BPM
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March by Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi OrchestraPurcell: March and Canzona for Queen Mary's Funeral, Z. 860: MarchHenry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi OrchestraC Minor05A82 BPM
Kooks - 2015 Remaster by David BowieKooks - 2015 RemasterDavid BowieA Major311B127 BPM
The Planets, Op. 32: 2. Venus, The Bringer Of Peace by Gustav Holst, Chicago Symphony Orchestra, James LevineThe Planets, Op. 32: 2. Venus, The Bringer Of PeaceGustav Holst, Chicago Symphony Orchestra, James LevineA♭ Major04B71 BPM
Capriccio espagnol, Op. 34: III. Alborada by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzCapriccio espagnol, Op. 34: III. AlboradaNikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzB♭ Major26B133 BPM
Let Me Sleep Beside You by David BowieLet Me Sleep Beside YouDavid BowieF Major77B133 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.690974235534668

End: 0.6952698230743408