David Bowie, Eugene Ormandy's 'Peter and the Wolf, Op. 67: The Story Begins' came out on 1988. With Peter and the Wolf, Op. 67: The Story Begins being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 2 out of 41 in David Bowie Narrates Peter And The Wolf by David Bowie. In terms of popularity, Peter and the Wolf, Op. 67: The Story Begins is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter and the Wolf, Op. 67: The Story Begins by David Bowie, Eugene Ormandy is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Adventures of Robin Hood: Main Title - Muted Fanfare | Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg | E♭ Major | 3 | 5B | 124 BPM | ||
Carnival of the Animals, R. 125: XIV. Finale | Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 0 | 7B | 140 BPM | ||
Overture On Hebrew Themes, Op.34: Un poco allegro | Sergei Prokofiev, Stefan Vladar, Chamber Orchestra of Europe, Claudio Abbado | G Minor | 1 | 6A | 72 BPM | ||
Wagner: Lohengrin, WWV 75, Act 3 Scene 1: Prelude (Sehr lebhaft) | Richard Wagner, Vienna State Opera Chorus, Rudolf Kempe, Wiener Philharmoniker | G Major | 3 | 9B | 80 BPM | ||
Peter and the Wolf, Op. 67: The Duck is Caught | David Bowie, Eugene Ormandy | A♭ Major | 0 | 4B | 125 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Major | 2 | 11B | 78 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | D Major | 0 | 10B | 69 BPM | ||
By The Sleepy Lagoon: By the Sleepy Lagoon | Eric Coates, Slovak Radio Symphony Orchestra, Andrew Penny | C Major | 2 | 8B | 134 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
6 Chorale Preludes "Schübler-Chorales": Wachet auf, ruft uns die Stimme, BWV 645 | Johann Sebastian Bach, E. Power Biggs | E♭ Major | 0 | 5B | 72 BPM |
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