"Requiem, K. 626: Benedictus" by Bruno Walter, New York Philharmonic was released on August 12, 2016. With this song being about 5 minutes long, at 5:27, "Requiem, K. 626: Benedictus" by Bruno Walter, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in New York Philharmonic, Bruno Walter's "Mozart : Requiem" album is number 11 out of 12. Requiem, K. 626: Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem, K. 626: Benedictus by Bruno Walter, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo No. 2 in B-Flat Minor, Op. 31: Presto | Frédéric Chopin, Martha Argerich | D♭ Major | 1 | 3B | 74 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
Horn Concerto in B flat, Op. 91: 2. Andante | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | E♭ Major | 0 | 5B | 62 BPM | ||
Fidelio, Op. 72: Act 1 No. 4, Arie - Hat man nicht | Bruno Walter | C Major | 2 | 8B | 81 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): II. Preghiera (Larghetto) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | A Major | 0 | 11B | 65 BPM | ||
Carmen / Act 1: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 115 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | Hector Berlioz, Cleveland Orchestra, Pierre Boulez | C Minor | 3 | 5A | 63 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 85 BPM | ||
Tannhäuser, WWV 70: Overture | Richard Wagner, Orchester der Deutschen Oper Berlin, Otto Gerdes | E Major | 2 | 12B | 89 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |
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