"Tannhäuser, WWV 70: Overture" by Richard Wagner, Orchester der Deutschen Oper Berlin, Otto Gerdes was released on January 1, 1969. Tannhäuser, WWV 70: Overture appears to be safe for all ages as it is not explicit. This song is part of Wagner: Tannhäuser by Richard Wagner, Orchester der Deutschen Oper Berlin, Otto Gerdes. The song's track number on the album is #1 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. Tannhäuser, WWV 70: Overture is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, WWV 70: Overture by Richard Wagner, Orchester der Deutschen Oper Berlin, Otto Gerdes has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser, WWV 70: Overture being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 67 BPM | ||
Carmina Burana / Uf dem Anger: "Floret silva nobilis" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | G Major | 0 | 9B | 105 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 1: Vorspiel (Langsam und schmachtend - Belebend) | Richard Wagner, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | A Major | 0 | 11B | 85 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM | ||
Havanaise, Op.83, R.202 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | E Major | 1 | 12B | 90 BPM | ||
Violin Concerto in E Minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | B Minor | 2 | 10A | 135 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Mozart: Concerto for Two Pianos No. 10 in E-Flat Major, K. 365: III. Rondeau. Allegro | Wolfgang Amadeus Mozart, Christoph Eschenbach, Justus Frantz, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 88 BPM | ||
Symphony No. 1 in C Minor, Op. 68: 3. Un poco allegretto e grazioso | Johannes Brahms, Staatskapelle Berlin, Daniel Barenboim | A♭ Major | 0 | 4B | 78 BPM |
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