"La traviata*: Act III: Questa donna conoscete?" by Giuseppe Verdi, Giovanni Zenatello, Linda Cannetti was released on January 4, 2011. The duration of La traviata*: Act III: Questa donna conoscete? is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. La traviata*: Act III: Questa donna conoscete?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Harold Wayne Collection, Vol. 16 (1905-1909)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. La traviata*: Act III: Questa donna conoscete? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La traviata*: Act III: Questa donna conoscete? by Giuseppe Verdi, Giovanni Zenatello, Linda Cannetti having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verdi: Aida, Act 1: "Su! del Nilo al sacro lido" (Il Re, Ramfis, Aida, Radamès, Amneris, Chorus) | Giuseppe Verdi, Riccardo Muti, Fiorenza Cossotto, Luigi Roni, Montserrat Caballé, Nicolai Ghiaurov, Plácido Domingo, New Philharmonia Orchestra | A Major | 4 | 11B | 89 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Un Bel Di Vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | D♭ Major | 2 | 3B | 93 BPM | ||
Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | ||
Verdi: Aïda, Act 2: Ballet | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 1 | 4A | 146 BPM | ||
Il Trovatore / Act 3: "Squilli, echeggi la tromba" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Major | 4 | 12B | 110 BPM | ||
Il barbiere di Siviglia: Largo al factotum - Remastered | Gioachino Rossini, Erich Leinsdorf | C Major | 3 | 8B | 66 BPM | ||
Torna a Surriento (Arr. Chiaramello) | Ernesto De Curtis, Freddie De Tommaso, London Philharmonic Orchestra, Renato Balsadonna | C Minor | 0 | 5A | 69 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM |
Section: 0.6805095672607422
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