The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie made "The Fire in the Orchard / Ants on the Highway" available on August 26, 2008. The duration of The Fire in the Orchard / Ants on the Highway is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. The Fire in the Orchard / Ants on the Highway's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "The Grapes of Wrath (World Premiere Recording)". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. The Fire in the Orchard / Ants on the Highway is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Fire in the Orchard / Ants on the Highway by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, FP 148: V. Quis est homo | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A Minor | 4 | 8A | 90 BPM | ||
Elektra, Op. 58, TrV 223: "Es geht ein Lärm los." | Richard Strauss, Inge Borkh, Marianne Schech, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
Gai lon la, gai le rosier (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) | Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme | F Major | 2 | 7B | 109 BPM | ||
Don Giovanni, K.527, Act II: Recitativo accompagnato. "In quali eccessi, o Numi" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | D Major | 1 | 10B | 67 BPM | ||
Pagliacci: Act I: Nedda!...Silvio! A quest'ora che imprudenza! (Nedda, Silvio) | Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini | C Major | 2 | 8B | 86 BPM |
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