"Pagliacci: Act I: Nedda!...Silvio! A quest'ora che imprudenza! (Nedda, Silvio)" by Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini was released on March 9, 2004. With Pagliacci: Act I: Nedda!...Silvio! A quest'ora che imprudenza! (Nedda, Silvio) being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruggero Leoncavallo's "Leoncavallo: Pagliacci (Bjorling / Angeles) (1953)" album is number 11 out of 26. On top of that, Hong Kong appears to be the country where this track was created. Pagliacci: Act I: Nedda!...Silvio! A quest'ora che imprudenza! (Nedda, Silvio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci: Act I: Nedda!...Silvio! A quest'ora che imprudenza! (Nedda, Silvio) by Ruggero Leoncavallo, Victoria de los Ángeles, Jussi Björling, George Cehanovsky, Paul Franke, Leonard Warren, Richard Wright, Robert Merrill, Columbus Boychoir, Robert Shaw Chorale, RCA Victor Orchestra, Renato Cellini to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rosa del Azafrán: Dúo: "Ama, Lo Que Usted Me Pide" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
Les voici, les voici (from Carmen) | Robert Shaw Chorale, Robert Shaw, RCA Victor Orchestra | G Major | 3 | 9B | 66 BPM | ||
Act II: Amor ti vieta - Remastered | Umberto Giordano, Jussi Björling, Frederick Schauwecker | C Major | 5 | 8B | 94 BPM | ||
I Could Have Danced All Night (From "My Fair Lady") | Jan Peerce, Jane Powell, Robert Merrill, Phil Harris, Unknown Artist, Johnny Green | B Major | 3 | 1B | 140 BPM | ||
Oh vin, dissipe (Hamlet) | Robert Merrill, RCA Victor Orchestra | B♭ Major | 4 | 6B | 83 BPM | ||
Cavalleria Rusticana: Beato voi, compar Alfio | Pietro Mascagni, Renato Cellini | G Major | 0 | 9B | 72 BPM | ||
Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
Zazà, piccola zingara (Zazà) | Ruggero Leoncavallo, John Charles Thomas | E♭ Major | 1 | 5B | 173 BPM | ||
Tosca / Act 1: "Ed io venivo a lui tutta dogliosa" | Giacomo Puccini, Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F♯ Major | 3 | 2B | 164 BPM | ||
Lucia di Lammermoor, Act I: Il tuo dubbio | Gaetano Donizetti, Coro del Teatro Carlo Felice di Genova, Didier Pieri, Stefano Antonucci, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 71 BPM |
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