Selim Palmgren, Jouni Somero's 'Prelude, Illusion, Etude & Valse-Caprice, Op. 1 (Excerpts): No. 2, Illusion [Version for Solo Piano]' came out on April 9, 2021. The duration of Prelude, Illusion, Etude & Valse-Caprice, Op. 1 (Excerpts): No. 2, Illusion [Version for Solo Piano] is about 3 minutes long, at 3:04. Based on our data, "Prelude, Illusion, Etude & Valse-Caprice, Op. 1 (Excerpts): No. 2, Illusion [Version for Solo Piano]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 27 in the song's album "Palmgren: Complete Piano Works, Vol. 1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Prelude, Illusion, Etude & Valse-Caprice, Op. 1 (Excerpts): No. 2, Illusion [Version for Solo Piano] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prelude, Illusion, Etude & Valse-Caprice, Op. 1 (Excerpts): No. 2, Illusion [Version for Solo Piano] by Selim Palmgren, Jouni Somero having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Radharc an Chuain / In Sight of the Harbour | Máire Carroll, Dewi Garmon Jones | B♭ Major | 0 | 6B | 67 BPM | ||
3 Gymnopedies (arr. for flute and piano): No. 3. Lent et grave | Erik Satie, Kenneth Smith, Paul Rhodes | A Minor | 1 | 8A | 79 BPM | ||
Bonding | Anton Strandh, Henrik Lindström | B♭ Major | 0 | 6B | 66 BPM | ||
Suite francaise d'après Claude Gervaise, Bransle de Champagne | Francis Poulenc, Alexandre Tharaud | G Minor | 0 | 6A | 166 BPM | ||
Palmgren : Gondoliera Veneziana, Op. 64 No. 1 | Selim Palmgren, Izumi Tateno | A♭ Major | 0 | 4B | 88 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (At the Cradle), Op. 68, No. 5 | Edvard Grieg, Balazs Szokolay | A Major | 5 | 11B | 85 BPM | ||
4 Preludes, Op. 22: I. Prelude No. 1 in G-Sharp Minor: Andante | Alexander Scriabin, Evgeny Zarafiants | E Major | 0 | 12B | 64 BPM | ||
Angel in the Rain | Mia Brentano, Benyamin Nuss, Billy Test | B Minor | 0 | 10A | 178 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
It's Not All Bad, After All | Peter Breiner | D Major | 1 | 10B | 108 BPM |
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