Edvard Grieg, Balazs Szokolay made "Lyric Pieces, Book 9, Op. 68: Badnlat (At the Cradle), Op. 68, No. 5" available on October 13, 1992. The duration of Lyric Pieces, Book 9, Op. 68: Badnlat (At the Cradle), Op. 68, No. 5 is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Lyric Pieces, Book 9, Op. 68: Badnlat (At the Cradle), Op. 68, No. 5's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Balazs Szokolay's "GRIEG: Lyric Pieces, Opp. 12, 38, 54, 57, 62, 65, 68 and 71" album is number 13 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Lyric Pieces, Book 9, Op. 68: Badnlat (At the Cradle), Op. 68, No. 5 is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Lyric Pieces, Book 9, Op. 68: Badnlat (At the Cradle), Op. 68, No. 5 by Edvard Grieg, Balazs Szokolay to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Våren, Op. 33 No. 2 (Arr. for Violin & Piano) | Edvard Grieg, Elena Urioste, Tom Poster | D Major | 0 | 10B | 73 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta (arr. V. Godar) | Vladimír Godár, Edvard Grieg, Takako Nishizaki, Jenő Jandó | E♭ Major | 2 | 5B | 98 BPM | ||
Adagio in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E♭ Major | 1 | 5B | 95 BPM | ||
Piano Sonata In F Minor, P. 16: III. Allegretto | Ottorino Respighi, Konstantin Scherbakov | B♭ Minor | 1 | 3A | 98 BPM | ||
Liebeslied, S. 566/R. 253 "Widmung" (After Schumann): Schumann - Liebeslied, S566/R253, "Widmung" | Franz Liszt, William Howard | A♭ Major | 0 | 4B | 68 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
7 Fantasies, Op. 116: No. 4, Intermezzo in E Major | Johannes Brahms, Simon Bächinger | G Minor | 3 | 6A | 115 BPM |
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