"Liebeslied, S. 566/R. 253 "Widmung" (After Schumann): Schumann - Liebeslied, S566/R253, "Widmung"" by Franz Liszt, William Howard was released on June 3, 2016. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Sixteen Love Songs". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Liebeslied, S. 566/R. 253 "Widmung" (After Schumann): Schumann - Liebeslied, S566/R253, "Widmung" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liebeslied, S. 566/R. 253 "Widmung" (After Schumann): Schumann - Liebeslied, S566/R253, "Widmung" by Franz Liszt, William Howard having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in F Major, K.446/L.433/P.177 (arr. I. Friedman for piano) | Ignaz Friedman, Domenico Scarlatti, Joseph Banowetz | A Major | 0 | 11B | 72 BPM | ||
Lieder ohne Worte, Op. 19: 4. Moderato | Felix Mendelssohn, András Schiff | A Major | 0 | 11B | 70 BPM | ||
Salut d'amour, Op. 12 (Arr. for Cello & Piano by Anonymous) | Edward Elgar, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
12 Études, Op. 25: No. 5 in E Minor "Wrong Note" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: IIa. Tema con variazioni. Tema. Andante con moto | Pyotr Ilyich Tchaikovsky, Hanako Uesato, Wataru Mukai, Kazumasa Matsumoto | E Major | 0 | 12B | 133 BPM | ||
Nocturne in E-Flat Major | Mikhail Glinka, Ton Nu Nguyet Minh | E♭ Major | 0 | 5B | 69 BPM | ||
Douze valses, Le ruban dénoué: No. 3, Souvenir… Avenir… | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | E Major | 1 | 12B | 108 BPM | ||
Piano Trio in A Minor, Op.50, TH.117: Tema: Andante con moto | Pyotr Ilyich Tchaikovsky, Gidon Kremer, Giedre Dirvanauskaite, Khatia Buniatishvili | E Major | 0 | 12B | 74 BPM | ||
Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Beatrice Rauchs | C Minor | 1 | 5A | 78 BPM | ||
Serenades, Op. 9: Serenády, Op. 9 | Vítězslav Novák, William Howard | A♭ Minor | 0 | 1A | 67 BPM |
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