"4 Preludes, Op. 22: I. Prelude No. 1 in G-Sharp Minor: Andante" by Alexander Scriabin, Evgeny Zarafiants was released on June 8, 2000. The duration of 4 Preludes, Op. 22: I. Prelude No. 1 in G-Sharp Minor: Andante is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 4 Preludes, Op. 22: I. Prelude No. 1 in G-Sharp Minor: Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Scriabin: Preludes, Vol. 2". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. 4 Preludes, Op. 22: I. Prelude No. 1 in G-Sharp Minor: Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Preludes, Op. 22: I. Prelude No. 1 in G-Sharp Minor: Andante by Alexander Scriabin, Evgeny Zarafiants having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse héroïque, CD 140 | Claude Debussy, Steven Osborne | D♭ Major | 0 | 3B | 54 BPM | ||
Iberia, T. 105, Book 1: II. El puerto | Albéniz Albéniz, Peter Donohoe | D♭ Major | 1 | 3B | 76 BPM | ||
8 Nocturnes, Op. 368: No. 4, Andante grazioso e con moto | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
間奏曲 第1番 | Mari Kumamoto | E Minor | 0 | 9A | 136 BPM | ||
Preludes, Op. 9, No. 10: Cantabile | Theodor Kirchner, Yaara Tal | C Major | 0 | 8B | 69 BPM | ||
Lieder ohne Worte, Book 3, Op. 38: No. 6, Andante con moto in A-Flat Major | Felix Mendelssohn, Denis Kozhukhin | D Major | 1 | 10B | 128 BPM | ||
Crimean Sketches, Series 1, Op. 9 (Arr. for Piano): No. 3. Chanson a boire | Aleksandr Spendiaryan, Mikael Ayrapetyan | A Major | 1 | 11B | 110 BPM | ||
Seks lyriske Smaastykker for Piano, Op. 25: I. Skumring | Signe Lund, Rune Alver | D Minor | 1 | 7A | 74 BPM | ||
Variations on Balkan, Op. 60: Theme: Adagio malincolico | Amy Beach, Joanne Polk | D♭ Minor | 0 | 12A | 138 BPM |
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