Enemy Slayer: A Navajo Oratorio: Scene 2
Mark Grey, Scott Hendricks, Phoenix Symphony Chorus, Phoenix Symphony, Michael Christie
Grey, M.: Enemy Slayer: A Navajo Oratorio
9:37 March 31, 2009
BPM
82
Key
D♭ Minor
Camelot
12A

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Enemy Slayer: A Navajo Oratorio: Scene 2 - Mark Grey, Scott Hendricks, Phoenix Symphony Chorus, Phoenix Symphony, Michael Christie Information

Acousticness
91%
Danceability
18%
Energy
23%
Instrumentalness
69%
Liveness
23%
Loudness
68%
Speechiness
4%
Valence
7%
Popularity
Loudness
-19.148 dB

Summary

"Enemy Slayer: A Navajo Oratorio: Scene 2" by Mark Grey, Scott Hendricks, Phoenix Symphony Chorus, Phoenix Symphony, Michael Christie was released on March 31, 2009. Since Enemy Slayer: A Navajo Oratorio: Scene 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mark Grey, Michael Christie's "Grey, M.: Enemy Slayer: A Navajo Oratorio" album is number 3 out of 5. On top of that, Hong Kong appears to be the country where this track was created. Enemy Slayer: A Navajo Oratorio: Scene 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Enemy Slayer: A Navajo Oratorio: Scene 2 BPM

We consider the tempo marking of Enemy Slayer: A Navajo Oratorio: Scene 2 by Mark Grey, Scott Hendricks, Phoenix Symphony Chorus, Phoenix Symphony, Michael Christie to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Enemy Slayer: A Navajo Oratorio: Scene 2 Key

This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

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ISRC
HKI190863703
Label
L-M Records/RCA Records

Section: 0.6777338981628418

End: 0.6933448314666748