"Enemy Slayer: A Navajo Oratorio: Scene 2" by Mark Grey, Scott Hendricks, Phoenix Symphony Chorus, Phoenix Symphony, Michael Christie was released on March 31, 2009. Since Enemy Slayer: A Navajo Oratorio: Scene 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mark Grey, Michael Christie's "Grey, M.: Enemy Slayer: A Navajo Oratorio" album is number 3 out of 5. On top of that, Hong Kong appears to be the country where this track was created. Enemy Slayer: A Navajo Oratorio: Scene 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Enemy Slayer: A Navajo Oratorio: Scene 2 by Mark Grey, Scott Hendricks, Phoenix Symphony Chorus, Phoenix Symphony, Michael Christie to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Quatuor pour la fin du temps (Quartet for the End of Time): Louange à l'éternité de Jésus | Olivier Messiaen, William Pleeth, Erich Gruenberg, Gervase De Peyer, Michel Béroff | E Major | 0 | 12B | 189 BPM | ||
Intermezzo | Fredrik Sjölin, Danish String Quartet | B Minor | 0 | 10A | 139 BPM | ||
Quartet for Broken Arms | Kevin Penkin | F Major | 2 | 7B | 115 BPM | ||
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM | ||
Concerto No. 2 pour violon et orchestre: II. Molto moderato | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 0 | 9B | 76 BPM | ||
Double Bass Concerto, Op. 3: I. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | F♯ Minor | 1 | 11A | 73 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM | ||
Adagio | Kronos Quartet | B♭ Minor | 0 | 3A | 86 BPM | ||
Quatuor en fa in F-Sharp Major, M. 35: II. Assez vif. Très rythmé | Maurice Ravel, Quatuor Tchalik | F Major | 1 | 7B | 148 BPM |
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