"Salve regina a 6: I. Salve regina misericordiae" by Jacob Obrecht, The Brabant Ensemble, Stephen Rice was released on December 29, 2017. The duration of Salve regina a 6: I. Salve regina misericordiae is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Salve regina a 6: I. Salve regina misericordiae's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Obrecht: Missa Grecorum & Motets". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Salve regina a 6: I. Salve regina misericordiae is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salve regina a 6: I. Salve regina misericordiae by Jacob Obrecht, The Brabant Ensemble, Stephen Rice having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia sexta | Francesco da Milano, Christopher Wilson, Shirley Rumsey | F Major | 1 | 7B | 123 BPM | ||
Sancta Maria succure miseris | Francisco de Peñalosa, New York Polyphony | A Minor | 3 | 8A | 106 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
D'un autre amer: D'ung aultre amer | Johannes Ockeghem, Capilla Flamenca | D Minor | 1 | 7A | 86 BPM | ||
Prima die Lectio prima: III. Quomodo sedet sola | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Minor | 1 | 11A | 89 BPM | ||
Viderunt omnes... (4-part organum) | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 180 BPM | ||
Greiner, Zancker, Schnöpfitzer | Piffaro | D Major | 1 | 10B | 102 BPM | ||
Kyrie eleyson | Guillaume de Machaut, Andreas Scholl, Gerd Türk, Emmanuel Bonnardot, Jacques Bona | A♭ Minor | 1 | 1A | 65 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Missa Malheur me bat a 4: Et in Spiritum Sanctum | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 123 BPM |
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