"Ave verum corpus, K. 618 - Live" by Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus was released on January 1, 1991. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Arleen Auger, Frederica von Stade, Frank Lopardo, Cornelius Hauptmann, Friedemann Winklhofer, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Seeliger, Leonard Bernstein's "Mozart: Great Mass in C minor K.427" album is number 1 out of 15. Ave verum corpus, K. 618 - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave verum corpus, K. 618 - Live by Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem In D Minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 76 BPM | ||
Andrea Chenier (Sung in German): Act III: Verloren! (Gerard) | Umberto Giordano, Hans Hopf, Josef Metternich, Marianne Schech, Elisabeth Löw-Szöky, Kieth Engen, Walter Berry, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch | E Major | 2 | 12B | 122 BPM | ||
St Paul's Suite, Op. 29, No. 2: IV. Finale (The Dargason) | The City of Prague Philharmonic String Ensemble, Richard Hein | C Major | 3 | 8B | 133 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Hyeyoon Park, Bavarian Radio Symphony Orchestra, Lawrence Renes | G Major | 2 | 9B | 144 BPM | ||
Vom Himmel kam der Engel Schar (Choralkantate): Er kann und will euch lassen nicht | Friedrich Wilhelm Zachow, Ortrun Wenkel, Instrumentalensemble der ARCHIV Produktion, Gottfried Wolters | F Major | 1 | 7B | 75 BPM | ||
On the Waterfront Symphonic Suite: III. Andante largamente - More Flowing - Lento | Leonard Bernstein, Israel Philharmonic Orchestra | C Major | 0 | 8B | 75 BPM | ||
Verleih uns Frieden gnädiglich | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | A♭ Major | 2 | 4B | 87 BPM | ||
Fantasia On Greensleeves | Ralph Vaughan Williams, Traditional, Royal Philharmonic Orchestra, Philip Ellis | C Minor | 1 | 5A | 82 BPM | ||
Carol y Ganwyll - adapted by Chris Hazell | John Rutter, Bryn Terfel, Côrdydd, Sioned James, Orchestra of the Welsh National Opera, Tecwyn Evans | E Major | 1 | 12B | 92 BPM | ||
Have Yourself a Merry Little Christmas | Rolando Villazón, Slovak National Symphony Orchestra, Allan Wilson | D Major | 3 | 10B | 67 BPM |
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