Giovanni Felice Sances, Scherzi Musicali, Nicolas Achten, Deborah Cachet's 'L’infortunio d’Angelica: I. Già dell' horrido Mostro (Testo, Angelica)' came out on December 1, 2017. The duration of L’infortunio d’Angelica: I. Già dell' horrido Mostro (Testo, Angelica) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. L’infortunio d’Angelica: I. Già dell' horrido Mostro (Testo, Angelica)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Sances: Dialoghi Amorosi". In this album, this song's track order is #8. L’infortunio d’Angelica: I. Già dell' horrido Mostro (Testo, Angelica) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With L’infortunio d’Angelica: I. Già dell' horrido Mostro (Testo, Angelica) by Giovanni Felice Sances, Scherzi Musicali, Nicolas Achten, Deborah Cachet having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Stabat Mater Dolorosa | Giovanni Felice Sances, Ensemble Il Caravaggio, Camille Delaforge, Anna Reinhold, Guilhem Worms | G Minor | 1 | 6A | 95 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
Byrd: Prelude & Goodnight Ground a 5 | William Byrd, Fretwork | E♭ Major | 1 | 5B | 84 BPM | ||
Motetti à una, due, tre, e quattro voci: Dulcis amor Iesu | Giovanni Felice Sances, Scherzi Musicali, Nicolas Achten | G Major | 1 | 9B | 173 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Te deum, LWV 55: IX. Quos pretioso sanguine redemisti | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" | Claudio Monteverdi, Philippe Herreweghe, Reinoud Van Mechelen, Samuel Boden, Benedict Hymas, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM |
Section: 0.5523166656494141
End: 0.5567021369934082