A Midsummer Night's Dream / Act 2: "Are We All Met?" - Benjamin Britten, Owen Brannigan, Norman Lumsden, Kenneth McDonald, David Kelly, Robert Tear, Keith Raggett, Stephen Terry, London Symphony Orchestra Information

Acousticness: 97%
Danceability: 38%
Energy: 16%
Instrumentalness: 0%
Liveness: 9%
Loudness: 65%
Speechiness: 9%
Valence: 18%
Popularity: 3%
Loudness: -21.275 dB

Summary

"A Midsummer Night's Dream / Act 2: "Are We All Met?"" by Benjamin Britten, Owen Brannigan, Norman Lumsden, Kenneth McDonald, David Kelly, Robert Tear, Keith Raggett, Stephen Terry, London Symphony Orchestra was released on January 1, 1967. Since A Midsummer Night's Dream / Act 2: "Are We All Met?" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. A Midsummer Night's Dream / Act 2: "Are We All Met?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

A Midsummer Night's Dream / Act 2: "Are We All Met?" BPM

The tempo marking of A Midsummer Night's Dream / Act 2: "Are We All Met?" by Benjamin Britten, Owen Brannigan, Norman Lumsden, Kenneth McDonald, David Kelly, Robert Tear, Keith Raggett, Stephen Terry, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

A Midsummer Night's Dream / Act 2: "Are We All Met?" Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Helios, Op. 17, FS 32: Helios Overture, Op. 17, FS 32	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	C Major	1	8B	72 BPM
Britten: Holiday Diary, Op. 5: II. Sailing	Benjamin Britten, Stephen Hough	D Major	0	10B	76 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	A♭ Major	3	4B	161 BPM
Britten: An American Overture, Op. 27	Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra	A Minor	0	8A	80 BPM
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante)	Edward Elgar, London Symphony Orchestra, Eugen Jochum	G Minor	0	6A	172 BPM
Trittico botticelliano, P. 151: I. La primavera	Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling	A Major	1	11B	130 BPM
Symphony No. 5: IV. Passacaglia. Moderato	Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra	C Minor	1	5A	123 BPM
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	G Major	2	9B	90 BPM
Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique	Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra	C Major	0	8B	89 BPM
Requiem, Op. 48: VI. Agnus Dei	Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France	D Minor	1	7A	69 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6769886016845703

End: 0.6823728084564209