"Grand Canyon Suite: 5. Cloudburst" by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti was released on January 1, 1983. Since Grand Canyon Suite: 5. Cloudburst is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti's "Grofé: Grand Canyon Suite/Gershwin: Porgy & Bess" album is number 6 out of 6. Grand Canyon Suite: 5. Cloudburst is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grand Canyon Suite: 5. Cloudburst by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grand Canyon Suite: I Sunrise | Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg | A Major | 2 | 11B | 111 BPM | ||
Symphony in D, H.I No.4: 3. Finale - Tempo di Menuetto | Franz Joseph Haydn, Philharmonia Hungarica, Antal Doráti | D Major | 1 | 10B | 139 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Eugen Jochum | G Minor | 0 | 6A | 172 BPM | ||
Carmen Suite (Excerpts from Suites Nos. 1 & 2): Les toréadors | Georges Bizet, Detroit Symphony Orchestra, Paul Paray | D Major | 6 | 10B | 169 BPM | ||
Wood Notes: II. Autumn Night: Lightly | William Grant Still, Fort Smith Symphony, John Jeter | D Minor | 0 | 7A | 106 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Detroit Symphony Orchestra, Paul Paray | A Major | 2 | 11B | 153 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 211 BPM | ||
Carmen Suite (Excerpts from Suites Nos. 1 & 2): Intermezzo | Georges Bizet, Detroit Symphony Orchestra, Paul Paray | D Major | 6 | 10B | 169 BPM | ||
Sheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Peter Oundjian, Toronto Symphony Orchestra, Jonathan Crow | D Major | 1 | 10B | 61 BPM | ||
Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 3 | 7B | 97 BPM |
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