Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia made "Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese" available on June 27, 2007. The duration of Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Respighi: Fontane di Roma, Pina di Roma, Feste Romane & Il Tramonto". In this album, this song's track order is #5. In terms of popularity, Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Pini di Roma (The Pines of Rome): I. I pini di Villa Borghese by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. M. Ravel): II. Il vecchio castello | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 2 | 4B | 87 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 1: Vorspiel (Langsam und schmachtend - Belebend) | Richard Wagner, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | A Major | 0 | 11B | 85 BPM | ||
Cello Concerto No. 1, Op. 33: Tempo I | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Truls Mørk | F Major | 0 | 7B | 75 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM | ||
Verdi: Il trovatore, Act 3: "Giorni poveri vivea" (Azucena, Ferrando, Il Conte) | Giuseppe Verdi, Antonio Pappano, Ildebrando D'Arcangelo, Larissa Diadkova, Thomas Hampson, London Symphony Orchestra | E Major | 2 | 12B | 171 BPM | ||
Fontane di Roma (The Fountains of Rome): III. La fontana di Trevi al meriggio | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Major | 3 | 11B | 88 BPM | ||
Mahler: Symphony No. 1 in D Major: II. Kräftig bewegt | Gustav Mahler, Royal Concertgebouw Orchestra, Daniele Gatti | D Major | 1 | 10B | 134 BPM | ||
Verdi: Il trovatore, Act 2: "E deggio e posso crederlo?" (Leonora, Il Conte, Manrico, Ines, Chorus, Ferrando, Ruiz) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, Enrico Facini, Federica Proietti, Ildebrando D'Arcangelo, Roberto Alagna, Thomas Hampson, London Symphony Orchestra | C Minor | 1 | 5A | 82 BPM |
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