Schwedische Tanze (Swedish Dances) Suite No. 1, Op. 63: II. Andante assai - Max Bruch, South West German Radio Kaiserslautern Orchestra, Werner Andreas Albert Information

Acousticness: 98%
Danceability: 32%
Energy: 11%
Instrumentalness: 95%
Liveness: 9%
Loudness: 77%
Speechiness: 3%
Valence: 10%
Popularity: 3%
Loudness: -13.792 dB

Summary

"Schwedische Tanze (Swedish Dances) Suite No. 1, Op. 63: II. Andante assai" by Max Bruch, South West German Radio Kaiserslautern Orchestra, Werner Andreas Albert was released on January 1, 2008. With Schwedische Tanze (Swedish Dances) Suite No. 1, Op. 63: II. Andante assai being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 27 in Bruch, M.: Suite On Russian Themes / Serenade Nach Schwedischen Melodien / Swedish Dances by Max Bruch, Kaiserslautern SWF Radio Orchestra, Werner Andreas Albert. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Schwedische Tanze (Swedish Dances) Suite No. 1, Op. 63: II. Andante assai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Schwedische Tanze (Swedish Dances) Suite No. 1, Op. 63: II. Andante assai BPM

The tempo marking of Schwedische Tanze (Swedish Dances) Suite No. 1, Op. 63: II. Andante assai by Max Bruch, South West German Radio Kaiserslautern Orchestra, Werner Andreas Albert is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Schwedische Tanze (Swedish Dances) Suite No. 1, Op. 63: II. Andante assai Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace	Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor	F Major	2	7B	130 BPM
Renaissance, Book 2: Sarabande (Lully)	Leopold Godowsky, Konstantin Scherbakov	E Minor	0	9A	94 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version	Henryk Wieniawski, Itzhak Perlman, Samuel Sanders	D Major	3	10B	114 BPM
Viola Concerto in C Minor: III. Allegro molto energico	Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens	G Minor	3	6A	79 BPM
Sonatina No. 1, Op. 67: III. Allegro moderato	Jean Sibelius, Leif Ove Andsnes	F♯ Major	1	2B	94 BPM
Rubinstein / Arr. Popper: Melody in F Major, Op. 3 No. 1	Anton Rubinstein, Taeguk Mun, Chi Ho Han	F Major	1	7B	93 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Jazz Suite No. 2: 4. Waltz I	Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly	B♭ Major	2	6B	178 BPM
String Octet in B-Flat Major: I. Allegro moderato	Max Bruch, Zsolt Fejervari, Kodály Quartet, Auer String Quartet	G Major	4	9B	112 BPM

ISRC: USB8U1001241
Label: L-M Records/RCA Records

Section: 0.7769341468811035

End: 0.781196117401123