"Die Schöpfung HobXXI/2, PART 2: Zu dir, o Herr, blickt alles auf : Terzett (Gabriel, Uriel, Raphael)" by Südfunk-Chor, Sir Neville Marriner, Barbara Bonney, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart, Jan-Hendrik Rootering was released on 1990. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sir Neville Marriner's "Haydn: Die Schoepfung" album is number 8 out of 35. Based on our statistics, Die Schöpfung HobXXI/2, PART 2: Zu dir, o Herr, blickt alles auf : Terzett (Gabriel, Uriel, Raphael)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung HobXXI/2, PART 2: Zu dir, o Herr, blickt alles auf : Terzett (Gabriel, Uriel, Raphael) by Südfunk-Chor, Sir Neville Marriner, Barbara Bonney, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart, Jan-Hendrik Rootering to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in C Major, Op. 86: Gloria: Quoniam tu solus Sanctus | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Psalm 42, Op. 42, MWV A15: Quintetto "Der Herr hat des Tages verheißen" | Felix Mendelssohn, Eiddwen Harrhy, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Major | 1 | 6B | 170 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro | American Bach Soloists, Tamara Matthews, Jeffrey Thomas | E♭ Major | 0 | 5B | 76 BPM | ||
Requiem: Requiem: I. Introitus. Requiem aeternam. II. Kyrie | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Major | 2 | 7B | 83 BPM | ||
Symphony No. 2 in C minor 'Resurrection' (2002 Digital Remaster): III. In ruhig fliessender Bewegung | Birgit Finnilä, Radio-Sinfonieorchester Stuttgart, Chor des Staatlichen Hochschule für Musik und Darstellende Kunst, Stuttgart, Südfunk-Chor, Sir John Barbirolli, Helen Donath | A Major | 1 | 11B | 116 BPM | ||
Sinfonia Concertante in C Major: II. Romance | Johann Wilhelm Wilms, Harmonie Universelle, Andreas Spering | E♭ Major | 0 | 5B | 92 BPM | ||
Concerto in E Major, S 49, WoO 1: I. Allegro con spirito | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | B Major | 1 | 1B | 123 BPM | ||
Mass No. 2 in G Major, D. 167: Gloria: Domine Deus | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
I Cherusci, Act I: Eccomi a voi | Johann Simon Mayr, Yvonne Prentki, Concerto de Bassus, Franz Hauk | D Major | 1 | 10B | 80 BPM |
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