"Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro" by American Bach Soloists, Tamara Matthews, Jeffrey Thomas was released on September 1, 2007. Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in American Bach Soloists, Jeffrey Thomas's "Haydn Lord Nelson Mass & Little Organ Mass" album is number 17 out of 18. Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro by American Bach Soloists, Tamara Matthews, Jeffrey Thomas to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Quoniam Tu Solus- Allegro | Matthews, Munoz, Butterfield, Jeffrey Thomas, American Bach Soloists, Arnold | D Minor | 1 | 7A | 98 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Orfeo: Mille pene, ombre moleste | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor, Bernarda Fink | F Minor | 0 | 4A | 81 BPM | ||
Requiem in C Minor: VI. Sanctus et Benedictus | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | A♭ Major | 2 | 4B | 89 BPM | ||
Ein feste Burg ist unser Gott, Cantata BWV 80: 8. Choral: "Das Wort sie sollen lassen stahn" | Johann Sebastian Bach, Jane Bryden, Drew Minter, Jeffrey Thomas, Jan Opalach, The Bach-Ensemble, Joshua Rifkin | A♭ Minor | 0 | 1A | 88 BPM | ||
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | ||
Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) | Josef Mysliveček, Philippe Jaroussky, Vaclav Luks | G Major | 2 | 9B | 76 BPM | ||
Mass No. 3 in F Minor, WAB 28: Sanctus | Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek Janowski | D Major | 1 | 10B | 95 BPM | ||
L'italiana in Algeri: Atto I. Duetto. Ai capricci della sorte | Gioachino Rossini, Vasilisa Berzhanskaya, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | A♭ Major | 2 | 4B | 98 BPM | ||
Mass in C Major, Op. 86: Credo: Et in Spiritum Sanctum | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM |
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