"Quoniam Tu Solus- Allegro" by Matthews, Munoz, Butterfield, Jeffrey Thomas, American Bach Soloists, Arnold was released on July 15, 1997. The duration of Quoniam Tu Solus- Allegro is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Quoniam Tu Solus- Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthews, Munoz, Butterfield, Arnold, American Bach Soloists, Jeffrey Thomas's "Haydn: Mass No. 11 In D "Nelson Mass"; Little Organ Mass" album is number 4 out of 18. On top of that, United States appears to be the country where this track was created. In terms of popularity, Quoniam Tu Solus- Allegro is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quoniam Tu Solus- Allegro by Matthews, Munoz, Butterfield, Jeffrey Thomas, American Bach Soloists, Arnold to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Sequentia: I. Dies iræ | Niccolò Jommelli, Coro e Orchestra Ghislieri, Giulio Prandi, Sandrine Piau, Carlo Vistoli, Raffaele Giordani, Salvo Vitale | C Minor | 1 | 5A | 84 BPM | ||
The Creation, Hob.XXI,2: Pt. 2, Achieved is the Glorious Work | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Major | 3 | 6B | 109 BPM | ||
Wreck Time - matthews Remix | Nanter, Matthews | G Major | 8 | 9B | 128 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Mass No. 4 in C Major, Op. 48, D. 452: Credo: Et resurrexit | Franz Schubert, Claudia Reinhard, Christine Wehler, Raimund Minarschik, Tobias Berndt, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Requiem: I. Requiem | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | C Minor | 0 | 5A | 69 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Sanctus' | Ingrid Hofer, Wolfgang Bankl, Michael Gailit, Manfred Equiluz, Chor, Solisten & Orchester von St. Augustin, Brigitta Karwautz | C Major | 1 | 8B | 105 BPM | ||
Vivaldi: Magnificat in G Minor, RV 611: X. Sicut locutus (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, Lucia Valentini Terrani, New Philharmonia Orchestra | C Major | 1 | 8B | 101 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Kyrie | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM |
Section: 0.7404708862304688
End: 0.7450268268585205