Birgit Finnilä, Radio-Sinfonieorchester Stuttgart, Chor des Staatlichen Hochschule für Musik und Darstellende Kunst, Stuttgart, Südfunk-Chor, Sir John Barbirolli, Helen Donath made "Symphony No. 2 in C minor 'Resurrection' (2002 Digital Remaster): III. In ruhig fliessender Bewegung" available on 2002. Symphony No. 2 in C minor 'Resurrection' (2002 Digital Remaster): III. In ruhig fliessender Bewegung appears to be safe for all ages as it is not explicit. There are a total of 35 in the song's album "Sir John Barbirolli : Great Conductors of the 20th Century". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Symphony No. 2 in C minor 'Resurrection' (2002 Digital Remaster): III. In ruhig fliessender Bewegung is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 2 in C minor 'Resurrection' (2002 Digital Remaster): III. In ruhig fliessender Bewegung by Birgit Finnilä, Radio-Sinfonieorchester Stuttgart, Chor des Staatlichen Hochschule für Musik und Darstellende Kunst, Stuttgart, Südfunk-Chor, Sir John Barbirolli, Helen Donath having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacrum, R.586 - rev. Franz Giegling: 2b Gloria: (Adagio) Et in terra pax | Antonio Vivaldi, Anthony Rolfe Johnson, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | A Minor | 1 | 8A | 78 BPM | ||
Bach, JS: Widerstehe doch der Sünde, BWV 54: II. Recitativ. "Die Art verruchter Sünden" | Johann Sebastian Bach, Jean-François Paillard, Birgit Finnilä, Marie-Claire Alain, Orchestre de chambre Jean-François Paillard | A♭ Major | 1 | 4B | 177 BPM | ||
Dido and Aeneas, Z. 626, Act III: When I am laid | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | F♯ Minor | 2 | 11A | 94 BPM | ||
Andante in E Minor (pipe organ) | Giovanni Andrea Fioroni, Pastór de Lasala | D♭ Minor | 0 | 12A | 72 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
Requiem: Inter oves | Domenico Cimarosa, Elly Ameling, Birgit Finnilä, Kurt Widmer, Orchestre de Chambre de Lausanne, Vittorio Negri | B Minor | 2 | 10A | 86 BPM | ||
The Triumphs of Hibernia: Let Earth and Air and Ocean | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote | D Major | 2 | 10B | 148 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM |
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