Jāzeps Vītols, Latvian National Symphony Orchestra, Dmitry Yablonsky's 'Dargakmeni, Op. 66: III. Pearls (Allegro)' came out on May 19, 1995. With Dargakmeni, Op. 66: III. Pearls (Allegro) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vitols: Dramatic Overture / Fantasie / Spiriditis / 'Autumn Song' by Jāzeps Vītols. The song's track number on the album is #8 out of 11 tracks. Based on our statistics, Dargakmeni, Op. 66: III. Pearls (Allegro)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Dargakmeni, Op. 66: III. Pearls (Allegro) by Jāzeps Vītols, Latvian National Symphony Orchestra, Dmitry Yablonsky has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Dargakmeni, Op. 66: III. Pearls (Allegro) being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elegia e Tarantella: Elegia | Giovanni Bottesini, Entcho Radoukanov, Ingrid Lindgren | D Major | 0 | 10B | 112 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Les fleurs et les arbres | Camille Saint-Saëns, En Kör | E Major | 1 | 12B | 133 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
Requiem, Op. 9: IX. In Paradisum | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
L'Art de varier, Op. 57: Variation 35 | Antoine Reicha, Ivan Ilic | F Major | 2 | 7B | 114 BPM | ||
Aaria, Kun Herra Kulkee Pyhään Kaupunkiin | Markku Liukkonen | C Minor | 2 | 5A | 137 BPM | ||
Lute Suite in E Minor, BWV 996: II. Allemande (Transcr. Y. Kondonassis) | Johann Sebastian Bach, Yolanda Kondonassis | G Major | 2 | 9B | 104 BPM | ||
管弦楽組曲第3番 ニ長調 BWV.1068 エア(G線上のアリア) | Johann Sebastian Bach, ソフィア交響楽団 | D Major | 0 | 10B | 77 BPM | ||
Franck: Dextera Domini, FWV 65 | César Franck, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM |
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