"管弦楽組曲第3番 ニ長調 BWV.1068 エア(G線上のアリア)" by Johann Sebastian Bach, ソフィア交響楽団 was released on December 9, 2020. 管弦楽組曲第3番 ニ長調 BWV.1068 エア(G線上のアリア) is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. There is only one song in 寝る1時間前から聞く 快眠クラシック~Good Dream~, so we believe that "管弦楽組曲第3番 ニ長調 BWV.1068 エア(G線上のアリア)" is a single. 管弦楽組曲第3番 ニ長調 BWV.1068 エア(G線上のアリア) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 管弦楽組曲第3番 ニ長調 BWV.1068 エア(G線上のアリア) by Johann Sebastian Bach, ソフィア交響楽団 is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto | Cologne Chamber Orchestra, Johann Sebastian Bach | C Minor | 1 | 5A | 83 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra | D Major | 0 | 10B | 119 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Marionettes, No. 2: La Poupée valsante (Arr. Kreisler) | Mak Ka-Lok, Alexandra Kouznetsova, Nison Kravets, Eremey Tsukerman, Lilia Lukianenko, Vladimir Rora, Alexander Konsistorum, Anatoly Lukiyanenko, Andrei Stepine, Hung Chi-Mei | D Major | 3 | 10B | 91 BPM | ||
Summer Night - Suite from 'The Duenna', Op. 123: 4. Dream | Bournemouth Symphony Orchestra, Paavo Berglund | F Major | 1 | 7B | 67 BPM | ||
Francesca da Rimini, Op. 25, Scene 1: My answer Is plain (Lanceotto) | Sergei Rachmaninoff, Svetla Vassileva, Misha Didyk, Sergey Murzaev, Gennady Bezzubenkov, Evgeny Akimov, BBC Singers, BBC Philharmonic Orchestra, Gianandrea Noseda | G Major | 3 | 9B | 174 BPM | ||
The Men's Project: II. Meeting Madeleine | Milo Paulus | C Major | 2 | 8B | 136 BPM | ||
Orchestral Suite No. 2, Op. 11: III. Kehtolaulu. Andante semplice | Helvi Leiviskä, Dalia Stasevska, Sinfonia Lahti | A Minor | 0 | 8A | 85 BPM | ||
La Fille mal gardée, Act I: 1. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | A Major | 0 | 11B | 95 BPM |
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