- BPM
- 169
- Key
- B♭ Major
- Camelot
- 6B
Lucrezia Borgia / Act 2: Figlio, figlio! Ola, qualcuno! - Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers Information
- Acousticness
- 93%
- Danceability
- 25%
- Energy
- 14%
- Instrumentalness
- 26%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 6%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -19.2 dB
Summary
"Lucrezia Borgia / Act 2: Figlio, figlio! Ola, qualcuno!" by Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers was released on August 19, 2002. The duration of Lucrezia Borgia / Act 2: Figlio, figlio! Ola, qualcuno! is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Lucrezia Borgia / Act 2: Figlio, figlio! Ola, qualcuno!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Renée Fleming - Bel Canto Scenes". In this album, this song's track order is #19. The popularity of Lucrezia Borgia / Act 2: Figlio, figlio! Ola, qualcuno! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Lucrezia Borgia / Act 2: Figlio, figlio! Ola, qualcuno! BPM
With Lucrezia Borgia / Act 2: Figlio, figlio! Ola, qualcuno! by Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Lucrezia Borgia / Act 2: Figlio, figlio! Ola, qualcuno! Key
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | |
 | Lucia di Lammermoor / Act 2: "Per te d'immenso giubilo" | Gaetano Donizetti, Ryland Davies, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 129 BPM | |
 | Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | |
 | Semiramide / Act 1: Alle più calde immagini | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 86 BPM | |
 | Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | |
 | Don Pasquale: Act I: Pronta io son | Gaetano Donizetti, Roberto Abbado | B♭ Major | 1 | 6B | 135 BPM | |
 | Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Renato Cioni, Robert Merrill, Dame Joan Sutherland, Cesare Siepi, Kenneth McDonald, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard | D Major | 2 | 10B | 94 BPM | |
 | Norma / Act 1: "Casta Diva" | Vincenzo Bellini, Joan Sutherland, London Symphony Chorus, London Symphony Orchestra, Richard Bonynge | G Major | 0 | 9B | 85 BPM | |
| Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | |
 | Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6928598880767822
End: 0.6973333358764648