"Feria Sexta, Tenebrae Responsories for Good Friday: VII. Tradiderunt me" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent was released on September 24, 2013. The duration of Feria Sexta, Tenebrae Responsories for Good Friday: VII. Tradiderunt me is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Feria Sexta, Tenebrae Responsories for Good Friday: VII. Tradiderunt me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent's "Gesualdo: Responsoria 1611" album is number 16 out of 29. Based on our statistics, Feria Sexta, Tenebrae Responsories for Good Friday: VII. Tradiderunt me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Feria Sexta, Tenebrae Responsories for Good Friday: VII. Tradiderunt me by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Now the Powers of Heaven | Giuseppe Sarti, Estonian Philharmonic Chamber Choir, Paul Hillier | B Major | 1 | 1B | 65 BPM | ||
Vespro della Beata Vergine, SV 206: IV. Psalm "Laudate pueri Dominum" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
Tenebrae Responsories, Feria sexta: IV. Tamquam ad latronem | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 94 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia) | Jordi Savall | D Minor | 0 | 7A | 89 BPM | ||
Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
Missa ex B: XIII. Genitum, non factum - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 101 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM |
Section: 0.5476818084716797
End: 0.5524647235870361