"Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus"" by Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener was released on 1996. With Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Paulus" album is number 19 out of 45. On top of that, France appears to be the country where this track was created. Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" by Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VI. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | C Major | 1 | 8B | 104 BPM | ||
Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM | ||
Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1b, Rezitative und Chor. "Am Anfange schuf Gott Himmel und Erde" - "Und der Geist Gottes schwebte" - "Und Gott sah das Licht" (Raphael, Chorus, Uriel) | Joseph Haydn, William Christie, Choeur des Arts Florissants, Dietrich Henschel, Toby Spence, Les Arts Florissants | A Major | 0 | 11B | 87 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
Missa in Angustiis "Lord Nelson Mass": VII. Et resurrexit | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson | F Major | 2 | 7B | 78 BPM | ||
Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear" | Henry Purcell, Elizabeth Gale, Thomas Allen, Jessye Norman, Marie McLaughlin, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 110 BPM | ||
Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 0 | 8B | 70 BPM | ||
Messe F-Moll, WAB 28: II. Gloria | Anton Bruckner, Philippe Herreweghe, Ingela Bohlin, Alfred Reiter, Joseph Moor, Hans-Jörg Mammel, RIAS Kammerchor, Ingeborg Danz | G Major | 1 | 9B | 81 BPM | ||
Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Paulus: I. Teil: Nr. 6 Aria S "Jerusalem, die du tödtest die Propheten" | Felix Mendelssohn, Melanie Diener, Philippe Herreweghe | C Minor | 0 | 5A | 69 BPM |
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