Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus"
Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener
Mendelssohn: Paulus
1:36 1996
BPM
74
Key
B♭ Major
Camelot
6B

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Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" - Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener Information

Acousticness
94%
Danceability
11%
Energy
4%
Instrumentalness
62%
Liveness
30%
Loudness
55%
Speechiness
4%
Valence
8%
Popularity
Loudness
-26.712 dB

Summary

"Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus"" by Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener was released on 1996. With Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe's "Mendelssohn: Paulus" album is number 19 out of 45. On top of that, France appears to be the country where this track was created. Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" BPM

We consider the tempo marking of Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" by Felix Mendelssohn, James Taylor, Philippe Herreweghe, Melanie Diener to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Paulus: I. Teil: Nr. 18 Rezitativ TS "Es war aber ein Jünger zu Damaskus" Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

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ISRC
FRZ149616190
Label
L-M Records/RCA Records

Section: 0.6408131122589111

End: 0.659963846206665