J.A. Alvarez-Parejo, Maria Bayo's 'Polo' came out on January 1, 1992. With Polo being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Polo's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Polo by J.A. Alvarez-Parejo, Maria Bayo is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Songs, Op. 23: No. 3, Le secret | Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg | C Major | 0 | 8B | 169 BPM | ||
歌曲集《シェエラザード》: 第2曲: 魔法の笛 | Maurice Ravel, スーザン・グラハム, Saito Kinen Orchestra, Seiji Ozawa | F♯ Minor | 0 | 11A | 66 BPM | ||
Missa Maria Magdalena: Kyrie | Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin | C Minor | 2 | 5A | 84 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
6 Ariette: No. 5, Per pietà, bell'idol mio | Vincenzo Bellini, Jessica Pratt, Vincenzo Scalera | C Minor | 1 | 5A | 122 BPM | ||
Poema En Forma De Canciones: IV. Los dos miedos | J.A. Alvarez-Parejo, Maria Bayo | E Minor | 0 | 9A | 175 BPM | ||
7 Sappho Songs: The Apple Orchard | Ivor Gurney, Susan Bickley, Iain Burnside | E♭ Major | 0 | 5B | 68 BPM | ||
Ciganské melodie (Gypsy Melodies), Op. 55: 4. Songs my mother taught me (Kdyz mne stara matka) | Antonín Dvořák, Magdalena Kozená, Malcolm Martineau | G Minor | 4 | 6A | 160 BPM | ||
Vos me matasteis | Maria Bayo, J.A. Alvarez-Parejo | E Minor | 0 | 9A | 127 BPM |
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